Semi-Fictional Character of the Day #day7

February 23, 2014

‘The Semi-Fictional Character of the Day’ is a joint, one-month project by Louiza Mallouri and Constantinos Xenofontos. Constantinos will be sketching a semi-fictional figure every day, and Louiza will be writing an accompanying storyline, as inspired by that character. The aim of this project is to explore the way two semiotic systems, the visual and the linguistic, interact and complement each other to tell a story.

semi-fictional character day7

Fancy dress party at your place. You exude all kinds of cool, you’re the life of the party, just like in school, where everyone wanted a piece of you. I was one of them. So you gave us parts of you, but never everything. You slipped away, just before anyone got attached. But some of us did. And there we are again. I am not much for dress up, but for you I try. You smile like a child, a real life Peter Pan, making us all wish we hadn’t left the kid we were behind.

Semi-Fictional Character of the Day #day6

February 22, 2014

‘The Semi-Fictional Character of the Day’ is a joint, one-month project by Louiza Mallouri and Constantinos Xenofontos. Constantinos will be sketching a semi-fictional figure every day, and Louiza will be writing an accompanying storyline, as inspired by that character. The aim of this project is to explore the way two semiotic systems, the visual and the linguistic, interact and complement each other to tell a story.

semi-fictional character day6

The Professor is expecting me, pacing the corridors, ready to reprimand me for my tardiness. I arrive. He acknowledges my presence with a glare and rushes down the staircase. I follow. We are greeted by a guard who takes us through the cobbled path, past the library, into a small walled garden. The Professor studies our shadows. This would be the last time we see them. The town’s bell peals begin. It’s time.

Semi-Fictional Character of the Day #day5

February 21, 2014

‘The Semi-Fictional Character of the Day’ is a joint, one-month project by Louiza Mallouri and Constantinos Xenofontos. Constantinos will be sketching a semi-fictional figure every day, and Louiza will be writing an accompanying storyline, as inspired by that character. The aim of this project is to explore the way two semiotic systems, the visual and the linguistic, interact and complement each other to tell a story.

semi-fictional character day5

Everything seems better at my nana’s house. There is always freshly brewed tea in the pot, a record is playing and it all smells of cinnamon. At nana’s I can; and it’s my nana who said that there’d be days like this. And that’s comforting, because nana would have me believe that those days will eventually add up to something. Something good. And whenever I lose faith, I look at all the lucky charms on the chain she secured around my wrist. Everything feels better through my nana’s eyes.

Semi-Fictional Character of the Day #day4

February 20, 2014

‘The Semi-Fictional Character of the Day’ is a joint, one-month project by Louiza Mallouri and Constantinos Xenofontos. Constantinos will be sketching a semi-fictional figure every day, and Louiza will be writing an accompanying storyline, as inspired by that character. The aim of this project is to explore the way two semiotic systems, the visual and the linguistic, interact and complement each other to tell a story.

semi-fictional character day4

Wired to succeed. On the fast lane since I was a kid. Get that diploma. Graduate first. Go for that job. Leave that job. Climb to the top. Finish top of my age group in the marathon. Write that book. Achieve. Achieve. Achieve. Successful, strong, respected. How come you never showed up for me? Why did I not see you, supporting me in the crowd, suited up, with your pearl earrings and your silk special occasion scarf? How come I never made you proud?

Semi-Fictional Character of the Day #day3

February 19, 2014

‘The Semi-Fictional Character of the Day’ is a joint, one-month project by Louiza Mallouri and Constantinos Xenofontos. Constantinos will be sketching a semi-fictional figure every day, and Louiza will be writing an accompanying storyline, as inspired by that character. The aim of this project is to explore the way two semiotic systems, the visual and the linguistic, interact and complement each other to tell a story.

semi-fictional character day3

I just stand and stare. Striped t-shirt, short pants, flip flops… Heart’s on my sleeve. I smile uncomfortably, struggling, filling the awkward pause with ‘I am happy for you’ forced comments and wishes. So many things I’d like to ask: when and how and why. And what am I? My old soul is a million pieces, trapped within this young body. You smile back, sincerely, warmly. I nod. ‘It’s still light,’ I say, ‘Let’s go shoot some hoops.’

Semi-Fictional Character of the Day #day2

February 18, 2014

‘The Semi-Fictional Character of the Day’ is a joint, one-month project by Louiza Mallouri and Constantinos Xenofontos. Constantinos will be sketching a semi-fictional figure every day, and Louiza will be writing an accompanying storyline, as inspired by that character. The aim of this project is to explore the way two semiotic systems, the visual and the linguistic, interact and complement each other to tell a story.

Semi-fictional character of the day #day 1

It had been a long day. She remembered when she first started teaching. Young, full of energy and enthusiasm. She was making a difference. She felt it. As the children’s faces lit up when learning took place, she knew it. This was it. But years passed by, reducing her work to chasing a measurable meaninglessness. Exploration, experimentation and play gave their place to a mundane box ticking. Mindless school reformers, superficial curriculum objectives, parents in pursuit of high marks, uninterested students. Depleted, disillusioned, confused. She looked at the empty desks and chairs, as she was preparing to lock the class. This wasn’t it.

Semi-Fictional Character of the Day #day1

February 17, 2014

‘The Semi-Fictional Character of the Day’ is a joint, one-month project by Louiza Mallouri and Constantinos Xenofontos. Constantinos will be sketching a semi-fictional figure every day, and Louiza will be writing an accompanying storyline, as inspired by that character. The aim of this project is to explore the way two semiotic systems, the visual and the linguistic, interact and complement each other to tell a story.

Semi-fictional character of the day #day 1 by Constantinos Xenofontos

I saw you. Walking across campus, buying overpriced coffee, David Foster Wallace at hand, an obscure, non relevant record goes through your headphones. It was a day after Valentine’s Day. You walked past, as I clumsily sketched on my notebook. Small talk: work and the weather. You complain about the sunshine, mock mainstream trends, you daydream on the spot with me. I almost recognise the teenager with whom I vowed to get out of here back then.

‘I never did drugs, I did love’

February 9, 2014

The title is from Jeanette Winterson’s beautiful memoir ‘Why Be Happy When You Could Be Normal?’ which I consider the best book I have read in 2013. Jeanette Winterson beautifully explores her difficult childhood, the relationship with her abusive mother and her journey into adulthood. I will certainly return to discuss this book again, because it is so rich and powerful, but for this week I wanted to share some thoughts on love, as inspired by the insights offered in this important book.

jeanette winterson

A number of studies attests to this: love can be like a drug. Do you remember experiencing this? Intense, passionate, vibrant love. The one you get as a teenager, as a young adult, when your body is programmed to feel everything in its utmost degree. The one that fills you up and dries you out. The colourful love: walks in the rain, drinking bad coffee, capturing the moments in film, slow kissing under the moonlight, promises under influence, swimming in deserted waters, driving into the unknown, stopping for a distressed hedgehog on a busy high way.

The perfect love: the future seems big and bright, nothing is out of reach and that’s your only friend. You stayed up together doing absolutely nothing and you could have sworn that this was the most exciting thing you have done in a long time. Truth is that you were already full, but you just had that extra slice of cake just to spend a few more moments together. And, by the way, do you know how long a day is? It is excruciatingly long. And you only know that because, when you had quarreled with your friend, you could not talk to them for a whole day. Do you remember how long that felt?

Illustration by Louiza Kaimaki

Illustration by Louiza Kaimaki for the book I Aria Allazei Kosmous

The urgent love: the love that can’t wait. Because you didn’t know you could love someone this much, and you worry that you might stop wanting them that much, and you fear that you might not always wait for them with such eager, childlike anticipation. And when you kiss at a rock concert, don’t even blink, because when you open our eyes, you might stop being a kid.

The impossible love: fighting, resisting, disappearing.

The persistent love: love notes forgotten in books, a pair of vintage earrings, dried out flowers, daily bittersweet reminders.

Love & loss.

My fairytales were full of ‘happily ever afters’ and never said anything about the moment you grow out of love. Where do you go then?

Falling out of love is the greatest defeat.

Illustration by Louiza Kaimaki

Illustration by Louiza Kaimaki for the book I Aria Allazei Kosmous

Have you read any books on love in the past or recently that have resonated with you? What insights have they offered you? Give your reading suggestions and share your words of wisdom below!

 

 

A healing potion of words

January 27, 2014

Have you ever read until you felt better? I certainly have. Many times.

Sometimes my sadness is too big that spoken words don’t help me get it all out right. But words in books abandon the page and slip cunningly into the precise areas I’ve denied all access, slowly starting to mend the broken pieces and putting things into place.

And friends are the best, but a piece of literature will never tell you ‘I know how you feel’. Because nobody knows how you feel. Instead, a book becomes a diary where you project all of what you are going through onto its pages. It becomes uniquely personal in a way that nothing else, so publicly available, will. A book is neither condescending, nor invasive; a book doesn’t abandon you: it’s there, patiently witnessing your trauma and heartbreak. And that’s good, because a corny self-help quote is the last thing you need. And that’s great, because what didn’t kill me didn’t make me stronger. At all.

If you have ever been touched by a book, you often go back to the shelf, picking that particular book up, and read parts of it over and over again to yourself, as its words speak to you in a way everyday language can’t. While everyday words, such as sad, helpless or broken seem to subtract from the feeling and strip down the experience, the symbolic significance of stories and their imagery help us deal with difficult emotions at a time where everything is experienced in top volume. Good literature speaks respectfully to us about a thing we know deeply, but are at a loss for words to utter.

Sounds familiar?  The Sad Book is a picturebook which chronicles Michael Rosen's grief at the death of his son Eddie from meningitis at the age of 19. Illustrated by Quentin Blake, this beautiful book does not pretend that pain is easy to bear.

The Sad Book is a picturebook which chronicles Michael Rosen’s grief at the death of his son, Eddie, from meningitis at the age of 19. Illustrated by Quentin Blake, this beautiful book does not pretend that pain is easy to bear. The Sad Book, 2004

Through these poignant images, Oliver Jeffers explores the themes of love and loss

Through these poignant images, Oliver Jeffers explores the themes of love and loss. Heart and the Bottle, 2009

Books allow you to stay with your sadness. ‘Pain demands to be felt’, John Green writes. And in this ‘gotta be happy, gotta have it all figured out’ society, it is relieving to be granted moments when it’s okay to be unhappy, and feel that others have been there too. Life is hard sometimes, you know? Because you lose people you didn’t want to lose, and you often dream and work and try your best and you don’t succeed, and then there are those times when you just want to love and be loved and it is not easy. What you need in these moments is not a magic wand to make it all okay. You need to experience it, you need literature, which will offer you powerful coping tools: effective metaphors, poignant stories, honest images which will support you to deal with your feelings, learn from it and grow… It helps.

Does any of these seem familiar to you? Do you believe in the healing power of words? What books have helped you deal with a difficult period in your life? Share your experience in the comments below. I’d love to know.

Love,

Louiza

On loving things too much

January 17, 2014

I have a flaw. I love things too much. And loving things too much is not always a good thing, because it can  inhibit you from creating your own things. Because when you love the words of others, your own words die silently in your throat. How can I write about love, for example, when Sophocles, to name one artist,  already did it in Antigone in such beauty, so eloquently, so perfectly centuries ago:

Love, all-conquering love, you fall on house,
and furrow innocence in girls asleep:
you ride the oceans to the meanest farm.
No god escapes you, no, not one, and man
succumbs to madness with his brief day spent.

What more can one say? That won’t feel superficial, inadequate and amateurish? What can be said that won’t be squashed under the burden of comparison with everything that has been written so far?

I did realise from an early age that I was not obsessing about movie stars or singers the way my peers did. I did not care about celebrities’ autographs and no such posters adorned my room. But I deeply admired writers and I took great pleasure in having my books signed by them. I was not fangirling over actors but I was, I am fangirling in a way about ideas, words, stories, books. And it so happens sometimes that the work of the people we admire paralyses our own creative endeavours. It often feels like everything has already been said in the most skillful and exquisite way, that it seems overwhelming and terrifying to share your own creations publicly.

Sure, there is an issue of fear of failure and resistance here I need to explore to surpass my creative barriers, and it may be advisable to kill my idols, humanize them and see myself as a person who can deservedly be considered one of them… The only problem is that I like my idols where I can see them. On their pedestal, thank you very much.

I have no interest in deconstructing them. On the contrary, I want to preserve the feeling you get when you love something so much, it overwhelms you. I  observe the way my pre-adolescent female pupils obsess over teen idols: the mere suspicion that I don’t who Harry Styles is, would  provoke such terror and puzzle that would break your heart. And that is priceless. Don’t we all look back nostalgically at a period when we unashamedly loved and had absolute and uncompromising faith in things and people? As we get older, we lose that ability, we grow out of a lot of things, we become disenchanted with everything and not a lot of things captivate us.

So I choose to embrace my excessive love about things, my fangirling, if you wish. Because it allows me to remain open and appreciative of other people’s art. And I think when you are open and honest about what you love and admire in an artistic level, you allow the creative energy to flow in. And as for my creative barriers, I am working on it. And books help. There is a lovely quote in Patti  Digh’s book Creative Is a Verb: If you are Alive, You Are Creative  which gives me perspective:

The only real way to be creative is to create. Without attachment to outcome. Without attachment to sales figures or blog hits. Without caring about the ways in which your work is dissected, criticized or loved. But with a keen, overwhelming, burning, passionate focus on what it is you long to say more than anything in the world. That’s the thing. That’s the only thing.

And another quote from Steven Pressfield’s Do the Work, which I just finished reading:

You are not allowed to judge yourself.
Suspending self-judgment doesn’t just mean blowing off the “You suck” voice in our heads. It also means liberating ourselves from conventional expectations—from what we think our work “ought” to be or “should” look like.
Stay stupid. Follow your unconventional, crazy heart.

How about you? Do you often feel overwhelmed in your own creative journey? Are you afraid that your work will fall short compared to your idols? How do you deal with it? Any inspiring quotes? Let me know in the comments!

Love,

Louiza

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